You do want to see what your HDR content looks like, right? The challenge is that the image has to go from the software through Windows to the graphics driver over a digital cable to an HDR display and then be correctly interpreted on that end to be viewed correctly. 2100 in the Working Color Space drop-down menu. Similarly, the export options now have HDR variables for certain formats. H.264 and HEVC files can be exported for delivery in HDR10 with the correct metadata attached, and HDR content can also be exported as ProRes, X-AVC Intra orĬurrently, the big caveat is in monitoring. The Sequence Settings dialog box now offers the options of Rec. 2100 PQ, and there is an option to assign input LUTs to source footage as well. 709 color space. Premiere correctly understands various color space formats and can process them correctly. The Interpret Footage dialog box now has a color management section, where users can choose between Rec. The most important piece of that puzzle is that image processing is no longer only being computed in the Rec. Adobe Premiere Pro now supports editing HDR content. Technically, HDR has been supported in Premiere Pro since 2015, but only if you were using OpenEXR frame sequences and with other severe limitations. This release finally includes a fully developed workflow for editing and finishing projects in HDR.
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